The Complete Course (Both Part 1 and Part 2)

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The Complete Course

This is the Complete Course: Over 6 hours of in-depth instructional content, delivered all at once. It’s designed to be a comprehensive program, offering everything encompassed in my instructional course. This insight comes from decades of working with the best drummers in the world, years of touring, countless recording sessions and practical, real-world experience.

PART 1 SECTIONS

Introduction

  • Welcome
  • Course Introduction
  • Daughters of Mara - Tomorrow
  • Approaching New Information
  • How to Practice
  • Mindfulness Meditation
  • Who Am I?
  • Sound City Solo 1
  • What It Means to Relax
  • Relinquishing Dead Weight in Your Arms
  • Relinquishing Dead Weight in Your Legs
  • Posture
  • Posture: What Not to Do!
  • Purposes of Technique
  • Technique - A Contrary Point
  • Warming Up
  • How to Practice

Hand Technique

  • German French Closed Grip
  • Moeller Gears 1 - 4
  • French Closed Moeller Gears
  • American Grip
  • Open/Glued Grip
  • Open/Glued Ride Cymbal Grip
  • Mixing Open and Closed Grips
  • Pure Rebound
  • Real German Double Strokes
  • Real French Double Strokes
  • French Pure Rebound Swing Pattern
  • Rebound Doubles @ 50bpm
  • Rebound Doubles @ 40bpm
  • Rebound Doubles @ 30bpm
  • Slow to Fast Doubles
  • How to Get a Great Cross-Stick Sound
  • Single and Double Combinations
  • Paradiddles with Real Doubles
  • Phasing
  • Mixed Sticking Warm Up Routine
  • Buzz Rolls
  • Garibaldi Ghost Note Hand Pattern
  • Traditional Grip
  • Moeller on Hats
  • Slow Mo Footage on Hand Technique
  • What Not To Do with Hand Technique
  • What Not To Do with Hand Technique - Fingers
  • What Not To Do with Hand Technique - French Fingers
  • Parallels in Movement
  • Choice Cuts

Foot Technique

  • Big Hip Single Bass Drum Technique
  • Psoas Stabilization Exercise
  • Big Hip Singles Hi Hat
  • Toe/Ball Double Stroke Bass Drum Technique
  • Heel/Toe Double Stroke Bass Drum Technique
  • Compound Triple Stroke Bass Drum Technique
  • Heel Down Bass Drum Technique
  • NOH/WAVE Improvised Solo
  • Ideology Solo
  • Course Conclusion

PART 2 SECTIONS

Phrasing/Vocabulary

  • Course Introduction
  • NOH/WAVE Solo 2
  • Advanced Phrasing Concepts - Traditional Phrasing
  • Advanced Phrasing Concepts - Linear Phrasing
  • Advanced Phrasing Concepts - 1/8th Note Triplet Subdivisions
  • Advanced Phrasing Concepts - Combining Numbers as 1/16ths
  • Advanced Phrasing Concepts - Combining Numbers as 1/8th Note Triplets
  • Advanced Phrasing Concepts - Two Bar Phrases as 1/16ths
  • Advanced Phrasing Concepts - Two Bar Phrases as 1/8th Note Triplets
  • Advanced Phrasing Concepts - Four Bar Phrases as 1/16ths
  • Advanced Phrasing Concepts - Four Bar Phrases as 1/8th Note Triplets
  • Advanced Phrasing Concepts - Combining 1/16ths and Triplets
  • Improvised Drum Solo
  • Leaving Space
  • Opening Up 3-Note Groupings
  • Opening Up 5-Note Groupings
  • Opening Up 7-Note Groupings
  • D.O.M. “The Father” Playthrough
  • Coming Up With Your Own Phrasings
  • Using a Template for Modulation
  • Sing Then Play Part 1 - Active vs. Passive Playing
  • Sing Then Play Part 2 - What Not To Do
  • The Definition of Being Gifted
  • Sometimes You Don’t Know the Whole Story!
  • Ear Training
  • Use Your Ears Not Your Eyes
  • Charting System
  • More Choice Cuts

Time Feel

  • Ergonomic Kit Setup/Placement
  • How to Breathe Properly
  • Breathing While Playing
  • End Gaining
  • What is Your Tonal Goal?
  • How Does Technique Affect Tone
  • How to Hit the Cymbals Properly
  • How to Hit the Drums Properly
  • A Reminder to Relax - Especially When Hitting Harder
  • Ego and Confidence
  • Left Leg Time Keeping Spectrum
  • Technique: Feet Thinking Up and Down
  • Dancing While Playing
  • Odd Groupings In Groove
  • Resting In Between the Notes
  • NOH/WAVE Drum Solo 3
  • M83: Live in Edmonton
  • Playing on Top of or Behind the Beat
  • Examples of Playing on Top of or Behind the Beat on Kit
  • Playing in the Cracks
  • When Finding a Teacher
  • NOH/WAVE Improvisation Kirin Shags
  • Course Conclusion

What Others Are Saying

Getting your course hasn't just changed my drumming, but my life forever. Can't thank you enough.

- Marty

After working through your course, I just wrapped the best studio session I've ever had. Thanks for everything you do!

- Greg

Your course makes me approach life differently and I don't think I can thank you enough for that. Thank you!

- Anonymous